This exhibition in Maryborough was an important one for me. I started my photography here and so I wanted to show a progression in my work over time.
My family had made a good life here. But my wife died here in 2010 and I was thrown into deep grief. Two years later I recognised that my life had too much solitude and I decided to join a group. Despite having no background in it I chose to join a camera club. This is where it all began, so coming back here was quite a nostalgic trip. Whereas I used to go to exhibitions at the Central Goldfields Art Gallery to see other people’s work, this time I was returning to have my own work on the walls.
The work in this series is linked by its central subject, the impermanence of human life. The still life images contain personal artefacts; the Sahara Desert images show the paradox of an everchanging landscape that somehow looks the same. I marvel still at how the grasses can survive the heat and cold of the desert and the lack of rainfall. What resilience. The altiplano landscapes from the La Puna region of Argentina dwarf an individual and force one to contemplate the relative insignificance of a human life. The same can be said for the sequoias and their lifespan. As for the Maryborough Station, it is an icon location in Maryborough and has been a drawcard for visitors since it was built between 1890-1892.